The Horns of Integral Pragmatics

What I propose and emphasize by constantly returning to integral pragmatics is the possibility for co-enacting a “new” mode of intimacy with the utterances we make.

The Walls of Jericho

I put the word new in the quotation marks because I believe that this mode is old enough to have seen the first geniuses of both a spoken word and a written word in the history of humankind. I, nevertheless, say “new” because it seems we either lost our connection with this mode or haven’t found it yet. For some reason we tend to distance ourselves from the embodiment of our Logos or Word; and yet we shall always remind ourselves: “In the beginning was the Word, and the Word was with God, and the Word was God.”

In the alchemical lab of our Imagination the seed of the Word manifests as God’s will and energy. Through becoming one with the Word we re-unite with the miracle of Oneness with the Spirit as it manifests inseparably from reality. The Word uttered always brings aliveness to our being; and instead of looking straight at things we stare into the abyss in front of us and our consciousness embarks on a journey through the realms of the living and the dead, following the footsteps of infinity, swimming in the clouds of timelessness, and reaching out to express as non-locality.

The sacred way of speaking the Word is totally different from the profane way of speaking words. Peter Kingsley explains the difference between “talking about” and “talking from” in the magnificent article “Raven’s Appearance”:

There is the profane way of talking, which is to talk about things. And if you care to notice, you will see that in the modern Western world we always talk about something. There is the word; then there is the point of reference for the word, which is always separate from the word itself. And this, of course, is the basis for nearly all modern linguistics.

But according to people such as Parmenides there is another way of talking. This other way is that instead of talking about, you talk from. If you sense oneness you talk from oneness; and that oneness is communicated through the magic of the word in a way that our minds may find incomprehensible but that, even so, fascinates and endlessly obsesses them. For these people were magicians. The founders of logic and science in the West were sorcerers. They knew what they were doing even if, now, no one knows what they did.

If we intuit the infinite, if we intuit the eternal, if we intuit the timeless, the transcendent, the Divine, we are bound to wake up in the echoing thunder of silence. This silence is the original face of our selfhood; and it quietly floats in our Hearts. The silence explodes with ecstasy, and when it does, the Word manifests. You see, the Word is inseparable from the silence, the Word is connected to the silence, the Word is silence revealed itself.

We can spend years and decades talking about words but unless we talk from the Word we never reach the realm of profound pragmatics. We can infinitely chase our own tail of signifiers and signifieds but no matter what we do unless we open our minds and hearts wide enough to courageously embody the Word, our talking will always remain talking about philosophy instead of being philosophy, talking about poetry instead of being poetry, talking about science instead of being science, talking about art instead of being art. Philosophy is the Love of Wisdom; in its pragmatics it’s the Word uttered itself to itself and echoed in the Hall of sentient Mirrors.

I have always intuitively sensed the appearance of the intimacy with the Word in the writings of Ken Wilber. The striking difference between him and his philosophy and those who talk about Wilber and his philosophy is in the embodiment of the Word—Logos. The seed of this vision of integral pragmatics that I want to convey to you has been sown by a little and seemingly evanescent utterance of profound importance, the utterance delineating Integral Semiotics in Wilber’s Integral Spirituality (pp. 286-287):

James was a genius and a pioneer in so many ways, and the fact that he took states of consciousness as seriously as he did was extraordinary; but monological is monological, and in that instance he merely extended the imperialism of the philosophy of the subject. Fortunately, James’s sheer genius pushes him beyond his own self-imposed limitations. His empiricism is always open to hermeneutics, the representational paradigm is supplemented with Peircean pragmatics, and—above all—his is a soul in which Truth and Goodness and Beauty are still a holy and unbreakable trinity.

But radical empiricism is still empiricism. That is, radical empiricism is radical monologicalism. Stages in zone #2 and the constitutive nature of zone #4 are alien to him. Had he availed himself of more of the work of his contemporary James Mark Baldwin, how different it all might have been. This imperialistic empiricism is the worm in the core of this otherwise extraordinary work.

It’s interesting to note that, in fact, Charles Peirce himself criticized James for exactly this central problem. James and Peirce were lifelong friends, despite their little tiff over James’s appropriation of the term “pragmatism” from Peirce, who coined it. (Peirce subsequently changed the name of his philosophy to “pragmaticism,” which was “a term,” he said, “so ugly as to discourage theft.”) Despite their friendship, Peirce felt James’s approach of “pure empiricism” was deeply flawed. Peirce—who, as noted, is generally regarded as America’s greatest philosophical genius—nailed James with a simple sentence: Perception is semiotic.

I want to pause here for a moment, take a deep breath and state that for the last two years I have been a semiotician to the marrow of my bones. Semiotics is a way to recognize the almost religious reverence for the Word that manifests as a movement of the unmoving, as a birth of the unborn. The entire universe after the Big Bang represents the Word extended through time and space. Now, having said so, I shall continue this magnificent quotation:

In other words, perception is always already an interpretation. At least in part. Failing to see this is the common mistake of naïve phenomenology and naïve empiricism in all their forms. Understanding this also let Peirce point out two further problems, which people simply will not understand if they don’t get the first problem with monological empiricism itself. Namely, it let Peirce say of James, “Of course, he is materialistic to the core.” And further: “He inclines toward Cartesian dualism.” Whenever I mention this to fans of James, they usually express shock, which tells me that they haven’t gotten the postmodern revolution, because otherwise it makes perfect sense. But for those who fail to understand this, James is even seen as somebody who overcame materialism and dualism, whereas he merely embodied their subtler monological forms. Peirce went on to humorously say of James’s implicit materialism that this is so “in a methodological sense, but not religiously, since he does not deny a separable soul nor a future life; for materialism is that form of philosophy which leaves the universe as incomprehensible as it finds it.” What Peirce means is, what monological delivers is incomprehensible; perception itself is actually semiotic.

Now we come closer to the part which is most important to our reasoning. Let’s take a look:

We can also see, further, why James—as well as virtually all meditation and phenomenology—is, as often noted, modernist in essence, and why Peirce was a great postmodernist about a century ahead of his time (who else could see natural laws as natural habits, without falling into magenta magic?). Peirce maintained that all perception is already an interpretation, and interpretation is triadic in structure: it demands a sign, an object (referent), and an interpretant. You can see the similarity with Ferdinand de Saussure, who maintained that the sign is composed of a signifier and signified in a system of interpreted differences. Peirce coined the term “semiotics”; Saussure called what he was doing “semiology.” AQAL has drawn on both of them: there is a sign (signifier plus signified), referent, semantic, syntax, and pragmatics.

Here we have to look at the bottom of the page to find a short footnote with the utterance that forever changed my relation to the Word as it is written or spoken or read or done:

To give a quadratic view: the sign is composed of UR-signifier and UL-signified (and yes, à la postmodernism, there are often huge gaps between them, resulting in deferral of meaning). Integral Theory defines a sign as “any aspect of reality that signifies another, to another.” Signs exist in systems of semantics (LL) and syntax (LR), held together by pragmatics (whose telos is to integrate the 4 quadrants of any semiotic occasion: and all occasions are semiotic, although only higher animals have linguistic forms of semiotics: the 4 quadrants go all the way down, taking semiotics with them). . . .

Ever since I have read this footnote my life has never been the same. As I was reading the words “signs exist in systems of semantics (LL) and syntax (LR), held together by pragmatics (whose telos is to integrate the 4 quadrants of any semiotic occasion . . .)” the subtle tingling in my body and the space of clarity in my mind signified that the treasure is found.

I have expressed elsewhere my point of view that the third tier of development and evolution of consciousness described in the Integral developmental theory is the first truly Pragmatic Tier. In a gesture of connecting the dots I have linked Wilber’s testimony that the AQAL framework itself is a product of the Indigo stage of consciousness (a third-tier stage) with the statement that pragmatics’ telos is to integrate the four quadrants of any semiotic occasion. This means that the true nature of the four quadrants, the true nature of these primordial perspectives reveals itself only as an embodiment of the Word coming through a third-tier structure of consciousness.

Indigo is the first stage of consciousness which in its utterances, the utterances that manifest not just as a verbal-linguistic activity but as a kosmocentric activity, is able to hold the four quadrants in a single gesture of integration. Before that stage, every utterance we make is bound to be a fragmented aspect of a text within text within text within the boundaries of one dimension of consciousness. To understand and grok and grasp the difficult transverbal reality beneath these words I want to extend my philosophical hand so as to reach Vasily Nalimov, a truly unsung hero of our time. Vasily Nalimov understood consciousness as essentially a text reading phenomenon. He intuited very well the power of Logos—the power of the Word—and spoke from the silence and timelessness. The grand narrative of our life is a holarchy of semiotic occasions that forms the scripture with the Holy text breathing within and without.

I emphasize integral pragmatics but my words sometimes are misinterpreted as utterances of an isolated theorizing mind—but I am not a Pharisee and not interested in a book knowledge and in talking about. When I reach the space of clarity through which I can reconnect with integral pragmatics I see that human beings are lost in massive textbooks of their own minds. The dissociation of the words and actions is being established. The intuition of the immediacy of the Spirit-in-action’s tetra-manifestation becomes forsaken. A seed of integral intentionality which has the potentiality to reach a luminous mindbody becomes lost in the swamps of smaller vortexes of karma. The Integral Word instead of being spoken is being stuck at the throat chakra level of incessant mumbling; and the energy never reaches the forehead and the crown chakras (and often lower chakras as well). The micro-orbit is never fully completed. The Beauty fades away. The hopes get broken. Alienation insists. The Word is forgotten. The Man isolates himself in the web of texts he created.

My task is to do my best to bring the message which reveals the possibility for a passionate embodiment of the Word—the Word that has the sound of the Horns of Jericho. It shakes your destiny and frees your throat and liberates your fate. The influx of authentic pragmatics results.

Andrew Lloyd Webber & JCS

Andrew Lloyd Webber's Jesus Christ Superstar is one of the most beautiful and touching modern prayers that I know of.

The tale of Midas

Many Russians grew up on stories and tales from the Ancient Greek mythology. There were many Soviet cartoons made about Heracles (known in the West under his Roman name Hercules) and his Twelve Labors, about Prometeus who brought fire of knowledge, about smart Odysseus, Argonauts, and so many others. Perhaps, one of the most mysterious stories of all is the tale of King Midas.

The story is usually told in a very sad and ironic manner. Midas was a king of Phrygia. Once, his soldiers caught Silenus, who was a right-hand satyr to the god Dionysus (whose Roman equivalent is Bacchus). Midas recognized him as such and set him free. Dionysus was very pleased by this doing, so he offered to grant whatever Midas should wish for. Midas asked that everything he touch be turned to gold. As the story goes, soon Midas encounters that his blessing is also seems to be his curse. Everything he touched, a tree, a chariot, a fruit, food, and even his daughter was turning into gold. So Midas begged Dionysus to take this gift away. The god told Midas to wash himself in the river Pactolus. Ever since Midas washed away his magic touch in this river, it has been abundant in gold, and Midas returned to his normal life.

The way I am interpreting this myth is quite optimistic. In fact, gold and the color of gold has always been a symbol of Spirit. When Midas receives a gift from Dionysus to turn everything into gold, what he receives is the power of transmutation and transfiguration: of discovering Spirit beneath each and every occasion. Everything he touches turns into gold, that is every phenomenon in the universe that he  spontaneously selects with his awareness shows its true Divine essence. In the end he realizes that everything around him is Spirit's, and there is nothing he, Midas, could personally own or have. This leads to the agony and transformational death of his egoistic self. Then he asks Dionysus to retract the gift. But what has actually happened is that he makes one step further: by washing himself in the river he has undone the last barrier before the realization of Spirit as Spirit. In some spiritual traditions this move is called realization of the Nondual. Then the world becomes as simple as it has ever been. The source of gold, of spiritual energy is not ego but God. There is nothing to turn into gold because everything is always already gold—everything is always already Divine.

The writer's block?

In the mandala of our consciousness we are all in a sense artists. This is something that Alex Grey has recognized in his famous "The Vast Expanse" psalm:

Create perfection wherever you go with your awareness. That is why this teaching is admired by artists—they sense the correctness of the response to life as creative. Life is infinite creative play. Enjoyment and participation in this creative play is the artists profound joy. We co-author every moment with universal creativity. . . .

Artistic response (rather than conditioned reaction) to life is at least one-third of what we are as human beings. Integral philosopher Ken Wilber points out that virtually every greatest thinker in the history of humankind (from Plato to Kant to Habermas) acknowledged the Big Three, the triumvirate of perspectives—the Good, the True, and the Beautiful in the philosophy of Plato, for instance—to be the essential dimensions of our being-in-the-world.

Yes, it is important to subject ourselves to the oughts and shoulds of what must be done by us so as to fulfill our destinies (moral). Yes, it is important to subject ourselves to the truths and facts of coming to terms with the cruel reality—and not escaping from it into the vertigo of fantasies and illusions and false hopes (knowledge). But, as Kant argues in his concluding Critique of Judgment, without a cornerstone dimension of aesthetic response to life these other dimensions remain detached from each other. To embody our life as a play of creativity (as a form of art), as I see it, is a foundational component of a healthy and integrated existence.

Playfully writing one's own narrative of life and transcending a writer's block, the blockage that leads to copy&pasting of an old habitual storyline that we learned at some point and that makes us non-existent to ourselves, always looking for new ways of self-expression in the seemingly limited context of our life's framework, constantly searching for new tools for transcending that frame and finding new perspectives to it seems to be a way to balance the Big Three in one's own life. If I deny myself of this courageous creative response to life, I deny myself of life itself.

It is important to embody the Spirit's creativity in a canvas of the individual levels of our being, including the Soul, the ego, the adaptive personae, and the body. It is important to trust one's own artistic feeling that arises in the depths of the Heart. It is important to learn in action how to be a better artist of life than the moment before, to keep searching for new curves and touches in life, to keep looking for novel ways of self-expressing perfection while always already being a manifestation of the ultimate Stillness.

Otherwise life becomes a dull and in/efficient affair of a robot-like human mechanism that keeps self-replicating old constellations of patterns and occasionally passes the Turing test strictly by an accident.

And, as Elizabeth Gilbert wonderfully points out, when undertaking any form of art it is crucial to recognize that one's own creativity is not a private property or a selfish achievement, it manifests rather like a gift of Spirit. Even if your art is your life story (and it always is) the same writer's block rule still works; and you can get stuck, as we all do. Your life as a work of art doesn't belong strictly to your individual being, most certainly not to your personae or ego or even Soul, even though the latter comes closer to the essential Source. You can't force it, you have to let it grow.

P.S. And if you are forgetting both the dignity of being an artist and the humility of being a work of art by falling, e.g., into the dominance of either shoulds or facts I ought to wake you up by asking a simple question, the question that highlights the importance of your qualia or subjective joy of being:

"Why so serious?"

(A still from a highly recommended movie on the topic, The Dark Knight.)

The ground for conscious being

It is both fascinating and frightening how lost we can be in the world of apparitions due to subtle contractions and attachments of our psyche—the phenomena of which we tend to be unaware. We get used to a limited perspective on ourselves and on others; we develop some basic agreements with the world during the process of growth and interaction with the other, we co-create the worldspace where we live that includes our thoughts, things that we say, things how we say, our memories, visions, sensations, body movements, chronic energy fixations, and the totality of it all is our self which we present to the loved ones and the hated ones and the world at large.

It is dramatic that our self, as it constantly grows towards more maturity and embrace and experience and becoming more aware of itself by including more and more entities into its space of being-in-the-world, at earlier stages can learn and adapt to the world, construct the basic sets of its elements in a way that in the future would become self-evident as self-contractions and subtle attachments that hinder liberation and hide essential qualities of one's own human being, of one's own profound truth under limited adaptive masks or personae of which we are not aware for initially and genealogically these masks were developed in order to comply with the requirements and agreements that the other and the environment told us, showed us in the days when we were just starting to make first steps towards self-consciousness and conscious liberation. And these masks of which we are not yet aware, the shadow patterns of our co-existence contaminate our whole life and communion with the ones we love and prevent us from being fully and self-recognizably who we are, radiant blissful fluctuations of the Spirit's meaningful, passionate, unlimited unfolding, the unfolding that is personally embodied in the Soul, the ego, and the bodymind.

The Spirit is always present in our life as the very fact that we are aware. In fact it is the space of awareness, of consciousness that is aware of us and all our life right now. In this space the wisdom and compassion grow and stabilize as structures, as fractals, as flowers. Giving space to yourself the way you fully and deeply are in your true embodied nature means grounding yourself in awareness and putting everything that exists in life into this ground, washing with its liberating rain the basics presets of your tetra-constructed¹ being and knowledge of the world and how to engage with it. In the space of awareness the spontaneity occurs that breaks ice of the old and allows novelty to emerge, and the novelty brings new excitements and flow of life and the conscious awareness always liberates them from attachment, for the attachment per se is something of which we can become conscious in the space of awareness.

The names of attachments, fixations and repressions are Legion. They hide everywhere in your private and public worldspace and they cause you to develop a false concept of the self, a false self. You get used to move in a certain way and not the other; and you unconsciously consider these movements to be the boundaries that divide the territory of your self from the foreign land of not-self, the unknowing land that brings anxiety by its very existence. Thus, you get a limited perspective of your self embodied in movements. You get used to have certain sensations and feelings in the body; and you may not even be aware of the fact that these are only sensations and feelings that emerged in the process of growth; and you just take them for granted. Thus, you get a limited perspective of your self embodied in how you feel your body. You get used to have certain thoughts and preconceived ideas in your mind; and these ideas are always more limited than the mystery of the world and your self. Thus, you get a limited perspective of your self embodied in how you think about yourself and existence.

You get used to hearing a limited spectrum of sounds, seeing limited things, enjoying limited moves, experiencing limited emotions, playing limited roles, having a limited diapason of dreams, and living a limited range of possibilities of life. And all of it in the totality of who you are you present as a total message of your existence to others. And others respond, both consciously and unconsciously, to this message as a whole with their being. Of course, you are responding to their message as well.

If I am so attached to these things that I don't even let them into my awareness so as to let go of them, how not to get lost in this vortex of apparitions and how to finally arise above the process of recreating the suffering, the suffering that is constantly shared with others? If there is nothing in my self that I can ground myself in, for it all is essentially a fleeting and constructed experience, what is the way to freedom? How can I free myself to being fully embodied and yet unattached? The ultimate way is to ground yourself in something that has no content and yet is always already present, in a presence that constitutes the basic undeniable dimension of the being-in-the-world that is closer to you than your self.

That which is always already present and yet has no content is the silent awareness, the very framework of attention, the very space of consciousness in which everything you are reading right now as you are sitting in a certain posture, feeling certain sensations and thinking ideas and making various micro- and macro-movements is arising moment to moment. This awareness is your best fucking friend forever. Ground yourself in awareness and allow yourself making new moves, approaching people in new ways, playing new roles, having a fresh taste of feelings in the body, no matter how silly you think those are, for these very thoughts of silliness are just temporary clouds in the sky of your awareness that come and go, come and go like flowing waves in the ocean cradled by the wind which is the Spirit whispering.

Ground yourself and help your beloved to ground themselves in awareness and then look into their eyes and make funny faces, scream and cry and move and liberate and dance together and give the full space to feelings in the body and suffering in the life for this is the path to healing and redemption and underneath suffering you can find profound happiness if you actually follow this advice, this practical injunction. Constantly remind yourself and others of this translucent awareness and the power of the present moment and the glory of all-pervading silence by being a living example.

The quietude is the Spirit smiling to you.

¹ Tetra-construction is the term that points to biological, psychological, cultural, and social factors of development and evolution. See, e.g., Wilber, Integral Spirituality, 2006.